The 3 Zigma Electric Guitar 2×6 Hybrid Microphone Kit gives you a custom optimized hybrid-mic kit, made specifically for giving you optimal tonal options for capturing electric guitar tones, presenting them in the most flatteringly BRUTAL (and yet somehow ‘natural’) light possible.
3 Zigma Electric Guitar Microphone Kit adheres to 3 Zigma’s popular 2 x 6 Hybrid Mic format, loading the kit with transformer balanced HA-FX head amps (complete with PADs and Roll-Offs) and the favorite C-LOL capsules as chosen by Multi-Grammy Award Winning Producer/Engineer Michael Wagener. If anyone knows more than a thing or two about recording guitar tones, it’s Michael Wagener. The 3-Zigma HA-FX with the C-LOL-67 and C-LOL-49 are at the core of his sound.
The 3 Zigma Electric Guitar Microphone Kit consists of 2 x HA-FX transformer-balanced Head-Amps. 1 x C-Lol-67 lollipop capsule, 1 x C-Lol-49 lollipop capsule, 4 x SD Capsule Modules, and 2 x Shock-Mounts in Jewel Box.
The 4 x Small Diaphragm Capsules are configured as 1 x Matched Pair SD-C, 1 x SD-H , 1 x SD-O-F Free-Field Omni Unless you prefer Room Mics, in which case the SD-O-D Diffuse-Field PAIR can be substituted in place of the 1 x SD-H and 1 x SD-O-F at no additional charge.
3 Zigma Steel & Nylon Guitar Microphone Kit Features
- Headamps:
- HA-FX: The Transformer-Coupled Model HA-FX Features a 3-Way Pad and 3-Way High-Pass Switch for maximum flexibility when recording LOUD sources… like 4 x 12 cabinets.
- C-LOL Lollipop Capsules
- C-Lol-67: Designed with the U67* in mind, this capsule will give the CHI head amp the color of the “other” famous old German condenser which became the first choice for “present” vocal recordings when the U47* didn’t deliver enough HF information. Nice, even Cardioid response, with predictable proximity effect.
- C-Lol-49: The darkest capsule of the 3 Zigma / ADK Custom Shop lines, the C-LOL-49 recreates the rich, chocolatey tones of the 40’s U 47 and M 49 Neumann microphones. It’s the perfect foil to combat the “tizzies” often heard in guitar amps with brighter mics. Plus, few mics get tones as deep as the C-LOL-49 is capable of reaching down to capture. Add girth to a wimpy amp, and tame one equally as shrill. The C-LOL-49 defines “rich” tones.
- Small Diaphragm Capsules
- SD-C Cardioid: A very typical SD capsule, probably the one you’ll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable.
- SD-H Hypercardioid: A more directional version of the Cardioid capsule, with more proximity effect. The treble response is still very realistic and to some people, will actually sound more “real” than the cardioid.
- SD-O Omni, available with:
- Diffuse Field response: to be used when a relatively flat treble is required off axis, for instance when the sound of the room needs to be accurately represented (darker source).
- Free Field response: to be used when a relatively flat treble is required on axis, for instance when the source needs to be accurately represented (darker room sound).
3 Zigma Electric Guitar Microphone Kit Specifications
- C-LOL-67
- Acoustical operating principle: 27.5mm large diaphragm pressure gradient transducer
- Directional Pattern: cardioid
- Frequency range: 20Hz~20kHz
- Sensitivity:
- w/ HA-TL-II: -36dB (16mV/Pa)
- w/ HA-FX: -37dB (14.1mV/Pa)
- Output impedance:
- w/ HA-TL-II: 100 ohms
- w/ HA-FX: 200 ohms
- Equivalent noise A-weighted:
- w/ HA-TL-II: 10 dBA
- w/ HA-FX: 11 dBA
- S/N ratio (A-weighted, rel 1Pa):
- w/ HA-TL-II: 84 dBA
- w/ HA-FX: 83 dBA
- Maximum SPL @ THD 0.5%:
- w/ HA-TL-II: 140 dBA
- w/ HA-FX: 137/145/153dB (pad on 0/-8/-16dB)
- Maximum output voltage:
- w/ HA-TL-II: 12 dBu
- w/ HA-FX: 8 dBu
- Dynamic range (A-weighted, THD 0.5%):
- w/ HA-TL-II: 130 dB
- w/ HA-FX: 126 dB
- Supply voltage: 48 volts (P48)
- Current consumption: approx. 4mA
- Diameter: 22mm
- C-LOL-49
- Acoustical operating principle: 27.5mm large diaphragm pressure gradient transducer
- Directional Pattern: cardioid
- Frequency range: 20Hz~20kHz
- Sensitivity:
- w/ HA-TL-II: -35dB (20mV/Pa)
- w/ HA-FX: -38dB (15.8mV/Pa)
- Output impedance:
- w/ HA-TL-II: 100 ohms
- w/ HA-FX: 200 ohms
- Equivalent noise A-weighted:
- w/ HA-TL-II: 9 dBA
- w/ HA-FX: 12 dBA
- S/N ratio (A-weighted, rel 1Pa):
- w/ HA-TL-II: 85 dBA
- w/ HA-FX: 82 dBA
- Maximum SPL @ THD 0.5%:
- w/ HA-TL-II: 139 dBA
- w/ HA-FX: 138/146/154dB (pad on 0/-8/-16dB)
- Maximum output voltage:
- w/ HA-TL-II: 12 dBu
- w/ HA-FX: 8 dBu
- Dynamic range (A-weighted, THD 0.5%):
- w/ HA-TL-II: 130 dB
- w/ HA-FX: 126 dB
- Supply voltage: 48 volts (P48)
- Current consumption: approx. 4mA
- Diameter: 22mm
- SD Cardioid
- Acoustical operating principle: 17mm diaphragm pressure gradient transducer
- Directional Pattern: cardioid
- Frequency range: 20Hz~20kHz
- Sensitivity:
- w/ HA-TL-II: -36dB (22mV/Pa)
- w/ HA-FX: -38dB (12.6mV/Pa)
- Output impedance:
- w/ HA-TL-II: 100 ohms
- w/ HA-FX: 200 ohms
- Equivalent noise A-weighted:
- w/ HA-TL-II: 13 dBA
- w/ HA-FX: 15 dBA
- S/N ratio (A-weighted, rel 1Pa):
- w/ HA-TL-II: 81 dBA
- w/ HA-FX: 79 dBA
- Maximum SPL @ THD 0.5%:
- w/ HA-TL-II: 140 dBA
- w/ HA-FX: 138/146/154dB (pad on 0/-8/-16dB)
- Maximum output voltage:
- w/ HA-TL-II: 12 dBu
- w/ HA-FX: 8 dBu
- Dynamic range (A-weighted, THD 0.5%):
- w/ HA-TL-II: 127 dB
- w/ HA-FX: 123 dB
- Supply voltage: 48 volts (P48)
- Current consumption: approx. 4mA
- Diameter: 22mm
- Length: 19mm
3 Zigma Electric Guitar Microphone Kit Includes
- 2 x HA-FX transformer-balanced Head-Amps
- 1 x C-Lol-67 lollipop capsule
- 1 x C-Lol-49 lollipop capsule
- 4 x SD Capsule Modules
- Standard configuration:
- 1 x Matched Pair of SD-C Cardioid
- 1 x SC-HC Hypercardioid
- 1 x SD-O-F Free Field Omni
- Optional “Room Mic” Configuration:
- 1 x Matched Pair of SD-C Cardioid
- 1 x Matched Pair of SD-O-D Diffuse-Field Omni
- 2 x Shock-Mounts
- Velvet Pouches for Mics
- Manufacturer’s Warranty
What People Are Saying…
“After hearing the 3 Zigma C-LOL-12 Lollipop on the Pre-War Martin D-45 that Johnny Cash got from Hank Williams, Sr., Marty Stuart and I looked at each other and both agreed – this is OUR NOW and FOREVER Acoustic Guitar Mic !!! Yet when we were tracking a small Taylor fingerstyle guitar, the C-Lol-67 turned out to be the perfect Capsule. The CHI System just works great!!!“Mick Conley – Producer/Engineer: Kathy Mattea (25 years), Patty Page, now Marty Stuart TV Show
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